Spider-man todd mcfarlane art

For people who deride the 90s for how its character were unrealistically depicted with oversized muscles on top of muscles … well, then this cover is not for you. For everyone else who appreciates the spirit of reckless abandon that emanates from many 90s comics, the ASM cover is a steroid-fueled fantasy of epic proportions. In addition to it featuring yet another signature McFarlane Spider-Man pose, its release in mid single-handedly ushered in the era of multiple variant covers to help drive up sales — a trend that is still going strong today based on the popularity of such recent releases as Star Wars 1 and Amazing Spider-Man vol.

At more than 2. The first volume achieved moderate success, ranking 17 in the top one hundred graphic novels, with pre-order sales of 3, for that period. In , McFarlane returned to co-plot the series with returning writer Brian Holguin, with issue The book survived the comics speculator bubble's crash , but its sales have fluctuated, never matching the sales figures of the s.

Though it continues publication, its appearance on the Diamond Top chart has been intermittent since the mids. Nonetheless, Shea Hennum of Paste magazine has observed of the series, "It's a book that, for a time, people continued to buy because of the character instead of the creator. It has become as much of an institution as it is a comic.

Haunt , an ongoing series co-created by McFarlane and Robert Kirkman , was announced in and launched on October 7, McFarlane contributed pencils to some issues, and co-wrote issue 28, the series finale, with Joe Casey , who took over writing duties from Kirkman. In , McFarlane wrote and drew Spawn , surpassing Dave Sim 's issue series Cerebus as the longest-running creator-owned comics series.

Todd McFarlane Productions published multiple Spawn spin-offs and mini-series. In , McFarlane created a toy company, Todd Toys, initially to merchandise collectible action figures of the Spawn characters. The company's line of figures quickly expanded to those of popular cultural icons, such as members of the band Kiss , characters from the film franchise Texas Chainsaw Massacre , TV series such as The X-Files , and sports figures such as Terrell Owens.

In collaboration with New Line Cinema , it produced the Spawn film and a new Spawn movie, planned in Ed Bark of The Dallas Morning News called the series a "very unpleasant viewing experience" and asked "why anyone would want to subject themselves to such a relentlessly grim, gruesome dehumanizing experience. October saw the release of the Swollen Members album Heavy , with Canadian and international covers that were both illustrated by McFarlane.

The series is a collaboration with musician Yoshiki and stars a fictionalized version of him. In February , the company released its only title, Kingdoms of Amalur: Reckoning , a single-player action role-playing game that was a moderate success, but by late May , the company had ceased operation, [ 81 ] due to financial difficulties [ 82 ] [ 83 ] for which it had filed for bankruptcy.

McFarlane had by then written a first-draft script. McFarlane expressed doubts about directing the film himself. In November , McFarlane launched a dedicated television development and production arm of his McFarlane Films , which has signed a first-look deal with production company wiip. McFarlane is a former minority owner of the Edmonton Oilers and designed the logo used on the team's alternate third jersey , which debuted in and was worn through McFarlane also designed the unique character Necrid for the game.

In it, players battle creatures based on a line of Todd McFarlane's action figures including classic movie monsters such as Frankenstein's monster and Dracula. In January , McFarlane announced that he was set to produce a half-hour anthology television series for Fox called Twisted Tales , based on the Bruce Jones ' comic book to which McFarlane had purchased the rights.

For the release of the video game Halo 3 , McFarlane was enlisted to design a series of action figures. In , McFarlane was hired as an artist for the game Kingdoms of Amalur: Reckoning , [ ] on which his duties included key frame art, storyboards and directing. McFarlane lost judgments in two lawsuits in the s. The first was a suit in which McFarlane contested with writer Neil Gaiman over the rights to some supporting Spawn characters created by Gaiman in issue No.

In , the two signed a deal in which Gaiman would give his share of characters Angela , Medieval Spawn and Cogliostro to McFarlane in exchange for McFarlane's share of British superhero Marvelman in reality, what McFarlane owned were two trademarks for Miracleman logos, not the character, which would become clear only after the lawsuit concluded.

This deal was broken by McFarlane, which motivated Gaiman to start the lawsuit. The jury was unanimous in favor of Gaiman. The two were involved in a lengthy dispute over ownership of Miracleman, but no lawsuit has been filed in that dispute. In , Marvel Comics resolved the matter by purchasing the property. The exact terms of the settlement were not disclosed, [ ] though Gaiman retained ownership of Angela, as she became a character in the Marvel Universe when Gaiman began doing work for Marvel in Another suit in which McFarlane became embroiled was a December suit in which hockey player Tony Twist sued McFarlane because he named a mobster character in Spawn after Twist.

In , McFarlane sued his former friend and employee, Al Simmons, from whom the name of Spawn's alter ego was derived. According to a lawsuit lodged in Arizona federal court, the real Al Simmons published a book called The Art of Being Spawn , in which Simmons purportedly suggests that his own life was the inspiration for the Spawn character.

McFarlane's position was that Simmons violated the terms of his employment pact and breached his duty of loyalty. The terms of any settlement were not made public. McFarlane and his wife Wanda [ ] [ ] married in They later moved to Portland, Oregon , [ 11 ] and then to the Ahwatukee Foothills of Phoenix, Arizona , [ 11 ] [ ] where they continue to live as of There, they raised their three children: Cyan, Kate, and Jake.

Cyan's love of the TV series Lost inspired her father's decision to produce action figures based on that show, while Kate voiced the young Cyan in the animated Spawn TV series. McFarlane stated in a interview that he was an atheist. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version.

In other projects. Wikimedia Commons Wikidata item. Canadian comic book creator. Spawn Spider-Man. Wanda Kolomyjec. Early life [ edit ]. Career [ edit ]. Early work, DC, and Marvel [ edit ]. The Amazing Spider-Man [ edit ]. New Spider-Man title [ edit ]. Image Comics [ edit ]. Todd McFarlane Entertainment [ edit ]. Sports [ edit ]. Other media [ edit ].

Video games [ edit ]. Media about McFarlane [ edit ]. Legal issues [ edit ]. Awards and recognition [ edit ]. Personal life [ edit ]. Bibliography [ edit ]. Awesome Comics [ edit ]. DC Comics [ edit ]. Disney [ edit ]. Art [ edit ]. Writing [ edit ]. Marvel [ edit ]. References [ edit ]. Comics Bulletin. Archived from the original on October 25, Retrieved January 17, Kuo September 8, Archived from the original on October 14, Retrieved December 31, The Edmonton Journal , February 6, Spawn 1 May His intense version of the web-slinging wallcrawler took the character to new heights, instilling in the character a new sense of energy and vitality—first in The Amazing Spider-Man , written by David Michelinie , and then in a spin-off series, with both art and story by McFarlane himself.

The impact that his dynamic artwork has had on the comics industry—on his legions of fans and the artists who have been inspired by and have emulated him—is truly immeasurable. The covers for both issues are stunning. On , Venom looms over Spider-Man's beaten body, and on , Spider-Man struggles against the symbiote's grasping tendrils. Venom's debut, combined with his return, quickly made him a fan-favorite villain.

Spider-man todd mcfarlane art

After the Hobgoblin transformed into an actual demonic creature, the Ghost Rider appeared to destroy him. Spider-Man, intent on saving a young boy who was also transforming into a creature, was caught in the middle of the epic battle between Ghost Rider and the Hobgoblin. Several splash pages allowed McFarlane to showcase his bombastic art style.

The weapons and magic thrown around by the two fighters, including Ghost Rider's chains and a demon made of fire, gave this book a supernatural aesthetic. While this was a Spider-Man comic by name, Ghost Rider and the new, demonic Hobgoblin stole the show with their bright, colorful clash. Not only was Amazing Spider-Man one of the best centennial issues of the series, but it might also be Michelinie and McFarlane's finest work.

This issue really kicked off the two creators' incredible run on the book. After several teases, Venom fully appeared in as monstrous and terrifying as ever. Spider-Man had battled dangerous foes before, but Michelinie's pacing combined with McFarlane's detailed art style made Venom the most menacing Spidey villain to date. The opening scene, with Mary Jane cowering in fear, was straight out of a horror movie.