Eron bucciarelli biography

The concert hall buzzed with nostalgia for an album that defined the s. Rushing from my day job to bare witness to this special night of live music, I unfortunately missed the first two openers, This Wild Life and Emery. I have been dying to witness This Wild Life perform their acoustic-driven melodies so this really did tug at my heartstrings, but the night was far from ruined as my anticipation only grew for Hawthorne Heights and their sentimental setlist of an album that defined my middle school experience.

Stick To You Guns took on Times Square next, shifting the vibe to a heavier atmosphere, bringing a hardcore edge to the evening. Cartel followed, wasting no time bringing a wave of s nostalgia to Times Square, reminding everyone why their anthems once ruled the airwaves. As Anberlin took the stage, the room began to fill with impatient anticipation.

After five opening acts, the crowd was ready to relive The Silence in Black and White but they had one more surprise impending to keep them two-stepping in the mosh pit. They would have just discarded it. So we sent them out, got some interest from labels. Then, I get the same letter in the mail again. Same exact letter. I mean, it was great that they sent another letter.

But I realized it was kinda weird. I let them know what we had been working since we mailed the demo. Either that or somebody fucked up in the mail room. So we drove up to Chicago, which is like a 5 or 6 hour drive. We played the showcase and it was one of the most nerve-racking things we ever did. They rented out a private rehearsal space with a stage and a PA.

So it was us playing five songs in front of just the Victory staff. And they just kinda stood in the way back, behind the lights. So we finished the set. Tony wrote us the next day and he said they decided already. He said it was a unanimous decision and that they all loved it. He said he wanted to get us into the studio. And about a month later we were in the studio recording in Chicago.

During that month we had to write the other half of the album because we only had like five or six songs up until that point. So we wrote. We just kind of threw it on there as track 8. Booch — Yeah, they paid for our studio time, mastering, they did everything. And they were great about promotions. I think we wrote the right album for the right time period and then when you couple that with all the marketing dollars that he pumped into it, it became incredibly successful.

That album came out a year before radio emo became really popular. AJ — I bet it was. Good for you, I would have done exactly the same. Booch — We certainly had no complaints. We would always have a kind of immature, teenage response to those requests. We would automatically say no. We were constantly butting heads with business decisions.

Decisions that we really had no idea about, no idea how they could effect us. We were kinda flying by the seat of our pants with those guys, I mean, we had no experience or justification to fall back on for our decisions. Booch — But he actually did know what was best in terms of marketing was concerned. On the other hand, he promoted the fuck out of us.

We had more promotion out there than any other Victory band, and as a result, our tours and record sales were a lot better. Booch — I think as a business guy, Tony knows what the fuck he is doing. Without question. And he does a lot of things that bands want their labels to do. Booch — laughs Which one? There was several lawsuits back and forth between us.

And then in addition to that, one of our managers tried to sue us as well. Booch — During that era of lawsuits, yeah. It resulted in us filing for bankruptcy because we just exhausted all of our resources in legal fees. We had, at one point, half a million dollars in legal fees just for our lawyers. Which was just insane, we were getting nowhere.

Every lawsuit is like a chess game. So there was the first lawsuit, then the countersuit and then breach of contract lawsuits and that kind of stuff. It became a huge mess. Booch — So we thought it was the deal of the century. At that time we had a couple major labels interested in us, like Virgin Records. We believed the lawyers. We thought it was going to be awesome.

Then we did this tour sponsored by Nintendo. This was right before the first lawsuit. It was called the Nintendo Fusion tour. We figured, why not do this tour now. Would it have made a difference? So the plan was to finish up the tour, then go directly into the studio to write and record our next album for the next label, whoever that might be.

It was unknown at the time. We were simply worn down. They wore us down to the point of surrender. And then, on top of that, our guitarist passed away while we were out on tour. It was too much for us to handle. So we had this confluence of all these different, huge issues just weighing on us. AJ — I can imagine what that did to your band, but what did that do to each of you individually?

Were you able to practice and communicate with each other during that time or were just overwhelmed by all of it? Booch — We were pretty overwhelmed by it. We would get together to practice every once and while. To just distract ourselves. If we did record anything at that time it would have been in contention with all the lawyers.

So we just sort of hung out and wrote, worked on some new material. Sometimes we had practices that were productive. Because it was a lot of shit to deal with for kids in their mids. AJ — Sure. The death of a band member is a big burden to carry around. Plus the lawsuits. Not only were you new to the game, trying to make the best of your situation with Victory but then you experienced money pressures at a time when you thought it would get easier for the band.

Most bands probably would have walked away from a situation like that. Booch — It was tough. Booch — Hmm. We leaned on them. They pulled us through that situation. AJ — So all the lawsuits ended, you walked away from Victory Records with some mixed feelings. Did they still own the right for the records that you made for them? I heard a song from our second album on that show Jersey Shore.

AJ — laughs Oh the irony. My favorite thing about that show is that none of those people are from New Jersey, but they have come to represent a kind of personality type that only exists there. And we had another song from that record played during the Indianapolis That was kind of weird, but yeah, it was nice. AJ —So what kinds of things has your band done internally to get beyond all of this.

Is all of this stuff ancient history now or? Booch — Hard to say. In some ways it is ancient history. What would have been the outcome if we had made different decisions, had we not sued our label or gotten rid of this booking agent. Things like that. The wheel is still turning my friend. AJ — I hear ya. Selling out the Hi-Dive is pretty good though.

Booch — I appreciate the success that we have. I really do. What is that big theater that is here in Denver? The Fillmore. That kind of thing. Those numbers. How could you not be? To ignore that would be a catastrophic failure for both your business and for your creativity. We touched a pretty high level of success at one point.

AJ — Wait a second though. Think about a band like Bad Religion , who went through several lulls, namely the late s and the mid s. Booch — Yeah, I think every band goes through those lulls. And do things our own way, as we see them to be correct. AJ — Absolutely.

Eron bucciarelli biography

Booch — We have a lot of success still. This is how I make my living. This band IS my job. Good for you. Bands still continue to fall into that trap. They think the ride is over and that the label is going to do everything for them. AJ —Sure. Young musicians have a terrible time understanding what record labels even do. AJ — Wait, are you suggesting that there are no hookers and there is no blow?

This changes everything. The people who think like that are idiots. There are here today and gone tomorrow most of the time. Step Off demo tape, Eron played drums in this band in You and I could write a book about the early history of that band. Maybe we should. Opiates being mentioned along with the term "substance abuse", coupled with "rockstar" stereotypes immediately conjure up images of hard drug use and addiction, which simply couldn't be further from the truth in Casey's instance.

What the toxicology report doesn't show is that before our leaving for tour, Casey had a root canal, and he was prescribed Vicodin an opiate for the pain. Once again, Casey was not involved in anything illegal, nor was he a substance abuser. If the fans want screaming, they can provide it themselves. A reprised version of the song became one of the twelve tracks that were selected for the band's third studio album.

This cover song, however, did not become a track on the album. Hawthorne Heights and Victory Records patched up their relationship and the band's third album, Fragile Future , was released with the label on August 5, It was recorded by Rhapsody, and released as promotion for the studio album Fragile Future. Hawthorne Heights posted a blog through their MySpace profile stating that they had officially been signed to Wind-up Records , and had been writing and recording for a new record.

The band revealed that while there is not a new member of the band and no replacement was made for Hawthorne Heights former vocalist, Casey Calvert, the new album would feature a new "screamer". As the album was being recorded, lead singer JT Woodruff and drummer Eron Bucciarelli named two songs from the record on several occasions, leading many to believe that they would be released as singles.

Acoustic versions of the two songs were also said to have been recorded. On October 2, , both Woodruff and Buicarelli posted updates on their Twitter pages saying that they had just finished gang vocals for the record. Woodruff stated "Just finished up doing gang vocals on a few songs. Return to hardcore! For starters, we will release our new album, titled Skeletons , in early !

Get your tickets here and get them today because we will be giving away a limited amount of collectible download cards at each show which include one of our new songs, "Unforgivable" along with some other goodies. This is your first chance to hear some of our new music, so make sure you get your tickets early and get to the shows early, because once they're gone, you'll have to wait until the album comes out!

We'll see you this Fall! Not all of the bands mentioned, however, ended up joining Hawthorne Heights for the Never Sleep Again tour. As promised, download cards for the song "Unforgivable" were distributed while on tour. In addition, a song entitled "End of the Underground" has been performed live. After the Never Sleep Again tour , frontman JT began performing several solo acoustic shows with songs he had written outside of Hawthorne Heights.

The track listing for the album was announced on February 5, According to JT Woodruff's February SayNow voice message also uploaded on the band's Twitter , Micah Carli plays ukulele , mandolin , and various other "weird instruments" in the lute family for many of the bonus tracks on Skeletons. Victory Records announced the release date for their " best of " compilation of Hawthorne Heights songs, entitled Midwesterners: The Hits.

The album was released on November 9, , [ 33 ] and contains 16 songs taken from the band's first three Victory Records' studio albums. The band will be self-releasing a trilogy of EPs, beginning with Hate , released August 23, Each EP will be released within four or five months of the prior release. Between releases the band will embark on various North American tours.

On August 11, , the album art and track listing for Hate was revealed. On April 24, , the band announced that the second EP in the trilogy, titled Hope , would be released on June 5, During their Autumn of Hope European tour, they did an interview in a bathtub. It was announced that the band has signed with Red Entertainment. They released a new album titled Zero on June 25, The band played at Vans Warped Tour on all dates.

It was as part of this announcement that Mark McMillon of The Story Changes was formally introduced as part of the band, though he had been a touring member for many years. The band embarked on a tour to celebrate the albums year anniversary, kicking off the European leg in Fibber Magees, Dublin, Ireland. On June 18, it was announced that Eron Bucciarelli had parted ways from the band shortly after its release.

On January 20, , it was announced Micah Carli had also departed. On February 13, it was announced on the band's Facebook page that they are recording new material. The album's lead single, "Constant Dread", features guest vocals by Counterparts frontman Brendan Murphy. While commenting on the band's first album, The Silence in Black and White , Eron said that the "triple guitar attack" allows them to "add a lot of layering effects and intricacies to our music along with legitimately pulling in different musical styles.

This gave many of the songs a broader emotional spectrum not limited by gender. Even after the death of one of the guitarists, Hawthorne Heights continued to allow its sound to evolve. With the release of Fragile Future , the band used elements of power pop. The acclaimed blues rock track, "Gravestones," opens with "uncharacteristic western acoustics, and then delves into a more fascinating chorus, leaving the wild wild west sound and replacing it with pianos and ethereal presence.

After forming their own record label, Hawthorne Heights made plans to release a trilogy of EPs. The first of the trilogy, Hate , lyrically deals with feelings of hate, anger, and solitude. One review states "this aggressive side, dormant for the past few years, has finally boiled over all at once. The statement said:. As for Ne-Yo, the name of the game is to decrease the chances of a sale here.

If you were to pick up a handful of Ne-Yo CDs, as if you were about to buy them, but then changed your mind and didn't bother to put them back in the same place, that would work. Even though this record will be heavily stocked and you might not be able to move all the stock, just relocating a handful creates issues: Even though the store will appear to be out of stock, the computer will see it as in stock and not re-order the title once it sells down and then Ne-Yo will lose a few sales later in the week.

They ended their rallying cry by quoting Winston Churchill: "Victory at all costs, Victory in spite of all terror, Victory however long and hard the road may be; for without Victory, there is no survival. Specifically, the Judge stated: "The agreement contains no exclusivity provision, nor does any of its language appear to prevent [the band] from recording elsewhere during the life of the agreement".

On October 16, , Wild Justice Records sued Hawthorne Heights for breach of an oral contract, stemming from a dispute over the management company's share of the band's revenues. Contents move to sidebar hide. We got to take our time and experiment a lot more than we've been used to in the past. Sonically, this record is such a step up from anything else we've done.

We are very proud of the finished product", commented Eron Bucciarelli drums. Musically, it tests the limitations of the "post-hardcore" and "screamo" music genres, adding deeper and darker subtleties. Influenced by bands that range from Led Zeppelin to Quicksand to Nirvana and Shades Apart, Hawthorne Heights's brand of radiant and fiery post-hardcore is expansive yet more focused than the efforts of other bands they will be categorized with.